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It is a good rule to work
always on a level copy of the original one and to apply the effects
on different levels to manage better them and to be able
to freely remove them when they become wrong or unusable.
In this tutorial I use a photo from the publicity of Rayban (A) and
one of Ines Sastre for Tagheurer (B).
I am interested in the expression of the face of A, but not in her
glasses and therefore I have to give to this image two eyes that replaces
the lenses.
B has the eyes that can be right for A.
1) I place B on a level that I overlap to A adapting
measures and position.(in order to make this step easier, it is useful
to give a merge mode to the level that allows A be visible through
B). 
2) I work on A and I make to desappear the glasses
keeping the more possible lights and tones of the face using the clone
tool (on more levels that I will combine when I will have gotten a
satisfactory result). 
3) Now I work on B and, at first with a mask and
then with the rubber, I only save the useful part: the eyes.
4) Since the right eye is too dark, I save only its
ocular globe in order to keep the expression and the position of the
pupil.
5) I adapted the part of the saved eye to a copy
of the left one opportunely reflected in horizontal.
6) I make a little larger both and I decide the definitive
position.
7) Always working on many levels,
I use airbrush tool for the shading, the rubber (a clear brush with
50% transparency) to light, tone down and saftening the colors or
changing the merge mode until to get a lifelike result. |
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